Young Love: A New Polaroid Series

This is a series about a couple in the 70s and their child-like journey through love. I am proud about this series for a number reasons:

#1 My friend Ian and I really look like we are in the 1970s.
#2 There were only a minimal amount of outtakes, which = wasted film/money.
#3 Neither my camera nor my film crapped out on me.
#4 I knew Ian be perfect for a 1970s series AND he didn't complain at all while we shot photos (both Polaroid and digital) for eight hours and didn't really stop to eat anything.

and what I am MOST proud of...

#5 My mad self-timer skillz. What most people don't realize is: all of the Polaroids you see of me are self-portraits. Like all my self-portrait shoots, Ian and I only had 12 SECONDS to get into character, including the time it took me to jump into place (and sometimes on his back).

You can view the series in its entirety at http://www.jenaardell.com/ I will be adding all of the digital photos/portraits of Ian to my site very soon.

(Special thanks to Natalie, who helped out by telling me whether my head was in frame in the car shots!! xo)

PUBLISHED IN ROLLING STONE!!

An image I shot of Dave Grohl at The Foo Fighters's secret show at the Roxy has been published in the March 2011 edition of Rolling Stone Magazine!! (Page 26). More of my images, a slideshow and a recap from the show (along with a recap of the secret show held at Spaceland) can be found at LAWeekly.com.

I can't even begin to explain how surreal it is to have shot an image I know I would have clipped in high school and hung in my locker, haha. I'm 26 now, but the 16 year-old-me vividly recalls forcing my parents to play "Foo Fighters", "The Colour and the Shape" or "There is Nothing Left to Lose" in the car on the way home from school AND to and from the movies AND to and from our weekly visits to our favorite Chinese restaurant, haha. And of course, I had to skip a lot of the songs because my mother thought Dave Grohl "screams too much" (She loves The Foo Fighters now, by the way), but songs like "My Hero", "February Stars" and "Everlong" were always welcome.

I never considered concert photography as a viable career option until it fell into my lap two weeks ago when L.A. Weekly's music editor contacted me and gave me an opportunity to cover the show. I have always taken cameras into venues, but never had a legitimate purpose which merited photo pass access. The irony here is... I couldn't get a photo pass for that Foo Fighters show at the Roxy and had to use my Canon PowerShot to cover the concert. I set everything to manual and convinced the camera it could shoot well. Securing an amazing spot in front of the stage helped too. I was able to capture the entire concert, not just the first three songs a photo pass would permit. I'm covering two concerts this week (Cake at The Troubador and 311 in Anaheim) where I will finally be able to use my 5D. Can't wait!!

I'm looking forward to attending concerts, shooting photos and writing for L.A. Weekly. (BONUS: I'm finally able to put my Journalism and writing degrees to use!!) I hate the word 'Serendipitous' (because it reminds me of that cheesy John Cusak movie), but that's the perfect word to describe how 2011 is shaping for me. :)

Robert Townsend Collaboration

I am currently working on a collaboration with favorite contemporary painter, pop realism painter Robert Townsend, who is transforming a macro self portrait I shot of sprinkles on my lips into a 36x36 oil painting for his show at Sue Greenwood Gallery in Laguna Beach, which opens June 2, 2011. You can track the progress of the painting here. You can see more of Robert's work at: www.freecolortv.com

PERSONAL FACTOID: Robert and I met through this very blog, thanks to this post I made about Bill Wood.

New Years Commitments

"You won't see me writing resolutions, instead I do commitments". ~Melissa Galt, interior designer and social media extraordinaire.

I really like Melissa's approach and attitude toward setting goals in the New Year. I have a strong belief that 2011 will be my biggest year yet, in terms of photography opportunities and collaborations. I feel like all of the stepping stones are in place and I just have to start walking down the path. I've been my own roadblock for too long. As social as I seem, I am a bit of a hermit. This year, I am going to push myself out of my comfort zone and seek opportunities to meet and work with people I have always hoped to work with. For example, I want to shoot photos of Fiona Apple. That is going to be one tricky goal to achieve, but a few of my life goals are already starting to materialize, so hopefully I can add that to my list...

Here's which goals are around the corner:
-to have one of my images be published on the cover of a novel (happening this month)
-to create and sell a photography book (happening in February--if I ever get my act together)
-to collaborate with my favorite contemporary painter, Robert Townsend (happening now)
-to meet Dave Grohl (pending...)
-to meet Steve Martin (happening in February)
-to meet all the members of 311 (happening in March)
Yes, the last three are really life goals of mine, don't laugh. ;)

REMEMBER: "What you create tomorrow is built on what you act on today." (Melissa Galt, again) SO GET GOING!!

Greetings from Palm Springs...

My mother and I found a *new* favorite piece of California. :)
More photos from our trip can be seen in my flickr stream.

Poems I wrote somewhere in New Mexico

While I was in college, I took a few poetry classes. I created what I consider my best work ever (which amounts to three poems) and ever since, have not been able to complete a poem I am as proud of. I think my problem is I learned too much about writing poetry intended for other poets. I used to be able to write poems and short stories with such ease--and now I over-think, over-analyze and focus too much on creating intellectual syntax and deeper meaning. So fast-forward to a week or so ago... I was on day two of my three-day cross-country train ride back to L.A. when I finally was able to write and complete two poems. Here they are:

Need vs. Desire

The American Dream was left for dead
cleverly disguised as a weathered Cadillac
next to a stack of used tires
between two terracotta towns

(Someone told you you wanted it)
(Someone told you you needed them)

Signs point toward towns too small to map
as tractor trailers & pickups speed past
backyards full of scrap metal & dry riverbeds
en route to destinations unseen

(Someone told you you bought it)
(Someone told you you owned them)

All Dreams will end the same--
sunbleached by time,
abandoned by technology,
until we differentiate need vs. desire.

Scarecrows

You & I
are scarecrows
between dry watering holes
& dead telephone poles

It's here we question:
how they can afford so many miles of fence
how the cattle are fed and watered
where the dirt road leads
where the nearest general store is located

Is there more to life?
we wonder, alone
unable to wander
far from home.

Tah dah, lemme know what you think. Would love to know your interpretations...

AN IMPOSSIBLE PROJECT :(

First, let me start by saying I LOVE The Impossible Project, their employees, their mission, the stickers, promotions and the buzz they've created--I appreciate it all. They've even taken the boring, black cardboard slides (that first shoot out before the film is ready to use) and turned them into collectible items, by adding a series of witty phrases. They've given me hope and resurrected my favorite films, but I lately have been a little disappointed. Trying to use their 600 series Silver Shade film has been... an Impossible Project. :(

Here's what I was trying to photograph:

Here were the results... seven completely ruined, blank shots. I've tried everything: allowing them to develop outside; running inside where it was warmer; allowing one to develop in the shade, another in the sun; and NOTHING. The last shot was the only shot to develop 1/2 inch of the image... and that was because I left the photo hanging from the camera.

Is anyone else having this problem?? I know it's not my camera, because the camera is fairly new and I recently used it with color film and had great results. Here is the back of the film, in case it is a bad batch:

MORAL DILEMMA

You go out to dinner with four of your friends. At the end of the meal, the check arrives. It gets passed around the table for about 10 minutes before it even reaches you. When you look at the bill, you notice the tab next to your meal says "0.00". This is clearly a misprint, a mistake made by your waitress. Everyone at the table says "Nice, free meal!!" "Their error!!" and suggests you simply accept the mishap as good luck, and leave a generous tip. What would you do??

A. Follow your friends' advice and leave a generous tip.
B. Alert the waitress and ask her to correct the mistake so you can pay your share.
C. Think "Sweet, free meal!!" and don't leave any money. (Afterall, you can't calculate a tip for something that cost $0.00).

(Be sure to select an answer before reading on...)

What made you select your plan of action?? Generally, people are predictable creatures. Based on your answer, I bet I can determine your rationale. Does your selection (A, B or C) match up with the following...

A. The mistake was clearly the incompetence of the waitress. She is repsonsible for the mistake, not me. I'm just benefiting from a glitch in the system. Everyone else at the table would do the same.
B. The basic principles of Karma. It was the right thing to do. I would feel badly about accepting a free meal that wasn't intended for me.
C. The restaurant made a lot of money that night--one free meal isn't going to ruin them. I bet no one would even notice. Plus, I could use the extra cash.

Was I right?? And why am I asking you all of this?? Good question.

This scenario I described happened to me last night. I weighed all of the options I listed but, almost immediately, I chose B and was proud of myself for doing what I felt was the right thing. I strive to be a good person, but ultimately my rationale was based on guilt and Karma. If you chose A or C, it doen't necessarily mean you are a bad person, but if I were you, I'd examine the rationale behind your choice. You obviously felt the free meal was owed to you because you deserve it; but what makes a person deserving??

After I did "the right thing" by notifying the waitress of her mistake, the majority of the table changed their answer. "Yeah, that's probably what I would have done too", my friend said. "You would felt bad if you didn't tell her", another friend said after the waitress left to modify the check. Then why did he suggest I do the very opposite?? Only one of the four said "Your loss!! What does doing the right thing get you?? Now you're leaving with less money". The whole situation was pretty enlightening, considering I was the only person at the table who originally wanted to tell the waitress.

I was reminded of the importantance of leading by example and practicing what you believe. If you do the right thing, others will follow. Remember: big realizations often occur during small moments in life. Are you keeping your mind open to these small moments??